Regular hours
Wed to Fri: 11am–2pm / 4pm–8pm;
Sat: 11am–2pm
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Dilalica, exhibition view, 'Bits and atoms', BGW2019. Photo: Cecilia Díaz-Betz
Dilalica are artists and curators who invite other artists to participate in original projects. The name Dilalica was generated by a computer program that randomly combined syllables frequently used in Spanish - a language that is written phonetically. The gallery openened in Barcelona in March 2019
Ariadna Guiteras & Lauren Gault: Glossia, 2025. Courtesy Dilalica
Thursday sept 18th: 12 – 8pm
From 12pm: PRO opening
From 6pm: general public opening
Fiday sept 19th and Saturday 20th: 12 – 8pm
Sunday sept 21st: 11am – 3pm
Through a collaborative process that dissolves the boundaries between individual practices, Lauren Gault (Belfast, 1986) and Ariadna Guiteras (Barcelona, 1986) have constructed a space where the visual, historical, and speculative converge. 'glossia (some urgencies)' began with a question: what could collaboration look like? The result is an attempt to merge two practices into a third, something new that emerges through mutual understanding.
Like a word suspended in the air, vibrating in anticipation of being heard or understood, 'glossia (some urgencies)' is a meditation on the Greek concept of enargeia—the quality of making the absent present through language—and on the material location of the voice. Here, suspension functions as both form and strategy: a way of holding. From the gallery’s ceiling hang undulating metal structures that reach toward the walls, where they hold, press, or sustain sculptures. This configuration forms a chain of supports—a concatenation of materialities that collapse timelines and technologies, amplifying their capacities for interaction and message-making.
Ariadna Guiteras (Barcelona, 1986) lives and works in Barcelona. She studied Fine Arts (2011) and completed a Master’s in Artistic Production and Research (2014) at the Universitat de Barcelona, with a scholarship at the Universität der Künste in Berlin (2010). Her work has been presented at MACBA (Barcelona), CentroCentro (Madrid), APA (Brussels), The Bower (London), La Panera (Lleida), Sala Muncunill (Terrassa), Manifesta 15 (Barcelona), CAC Brétigny (Brétigny-sur-Orge), and Fundació Miró (Barcelona), among others. Working with performance and installation she speculates—through a political and visceral lens—on bodies, the power relations that shape them, the shared knowledges that traverse them, and the ways in which these are transmitted.
Lauren Gault (Belfast, 1986) graduated from Duncan of Jordanstone College of Art and Design in Dundee in 2008. Her recent solo exhibitions include: Galalith, Temple Bar Gallery and Studios, Dublin (2022); Cithra, The Tetley, Leeds (2021); C I T H R A, Gasworks, London (2020); forgets in knots, Kantine, Brussels (2019); drye eyes, Grand Union, Birmingham, (2019); O-n, The Workbench, Milan (2019); present cOmpany, CCA Derry~Londonderry, Northern Ireland (2018); lipstick-NASA, Jupiter Artland, Bonnnington (2015); fugue states, CCA Glasgow, (2015). Her work is research-led and process-driven, considering the political, ethical and emotional implications of our changing interactions with matter and the enviroment. Engaging with multiple fields, including agri-policies, biomaterials, archaeology, and sound-image composition, her practice, active in its uncanny materiality, seeks to expand critical discussions around material sentience, future agri-relations and radical human/non-human interconnectivity.